Jack looked at the still figure in the coffin and shook his head.
“It’s all right, Jack. Paul had been sick a long time. At least now he’s not in pain.”
Frank, another of Paul Sanchez’s old friends, had walked up beside Jack without him noticing. The statement drew a wry smile from Jack.
“I know. That’s not what I was shaking my head about…I mean I know Paul was pretty much an American okatu, but to decide he wanted to be buried dressed like Spike Spiegel from ‘Cowboy Bebop’…”
Frank leaned in close and lowered his voice. “Yeah, I know. Trying to make heavy-set bald guy look like a slick ex-gang killer just doesn’t work. Then again, I heard his request was to be buried in one of his cosplay outfits, and only two of them still fit: this one….and one for the red Power Ranger. Would he have looked better dressed like that?”
Jack had to fight a desire to chuckle. “I don’t know, him in red spandex with the mask and all…” That was when he noticed the thumb drive lying on Paul’s chest, its lanyard wrapped around his wrist. “What’s with the thumb drive?”
“I hear it’s got a collection of Paul’s favorite anime on it. Supposedly he put it together when they told him he was going to be in the hospital for a long time so he’d have something better than the regular TV to watch. Too bad he didn’t get a chance to watch it.”
Jack remember the call. Hearing his childhood friend had died suddenly while being evaluated for congestive heart failure had been a shock, but as Frank had said, Paul had been having chest pains and trouble doing stuff for years. The two of them had become friend because of a love of Japanese animation, an interest that had brought Frank into their acquaintance during high school.
Paul had gone on the learn about, and later lecture on, Japanese culture. His devotion to anime and manga had been the stuff of legend in the small circle of follower of those art forms living around Carswell’s Corner. His house was a shrine to Japanese illustrative art.
“So, any idea what he put on it?”
Frank shrugged. “Not a clue. If I had to bet, at least his favorites, like ‘Bebop’, ‘Ghost in the Shell’ and ‘Hell Girl’. Probably ‘Tokyo Ghoul’ and ‘Corpse Princess’. Who knows what he burned on it. The guy had a digital version of pretty much any anime that was ever released, so it’s hard to say. I just thought it’d be nice to send it off with him, something to enjoy in anime Valhalla.”
So Paul Sanchez went into the ground. A man who’d died, loving an art form and buried with it. His friends carried him to his grave, his few remaining family members wept for him, but in the end, he was gone. Dead and buried. Free from the concerns that would shape the world he left behind. Spared the suffering that would be inflicted on all humanity within a decade of his passing.
Paul Sanchez bolted upright, a move that caused the room he was in to spin and his head to throb. He remembered the hospital room, the doctors crowding around him. A nurse pressing his chest so hard it felt like she was trying to drive her hands through him. Then nothing until this moment.
Paul could tell he was on some sort of platform in a featureless off-white space. The surface under his butt yielded as he shifted, and he realized he was dressed in his Spike Spiegel costume. Why? Wait…he remembered asking to be buried in one of his cosplay outfits…had he died? Was this hell? Heaven? Some eternal waiting room for those to be reincarnated?
A muffled whoosh drew Paul’s attention to an opening that had appeared in the blank wall. Through it…Paul could think of no other term to describe how what those massive insect-like creatures moved like than scuttled. Their grayish-brown ovoid bodies glittered in the sourceless light that flooded the space like they were made of plastic. There were eight of them, and the eight legs they moved on arching up and away from those bodies moving in a blur when they advanced into the room. Their feet, or whatever they were, caused a clicking noise like a flock of women in high heels walking fast. Paul pushed himself back from them, back to find that a wall was immediately behind him and he had no place to go to escape the freak show in front of him.
They spread out in a semi-circle in front of Paul, and for the first time, he saw what had to be their faces. Four black, faceted eyes, two to a side, flanked a mouth that gaped behind a pair of wicked-barbed mandibles. Several of them had pouches slung under their bodies, and into one of these the insect in the center of the group reached with its front legs, which Paul now saw ended in something like a hand. That individual made a noise like a string of clicks and chirps as it drew out a metal box. One of the other insects, this one on the left end of the crescent, made a noise that sounded like a fart, which brought another, longer string of noises from the central insect. It had barely stopped when the insect on its immediate right launched into a long string of noises, including a bleating sound Paul couldn’t imagine such a mouth being able to produce. In seconds, all of the insects were vocalizing, some of them even waving their front legs/arms about, a spectrum of sounds that grew in volume until if made Pauls’ head ache. He slapped his hands over his ears, trying to keep the noise at bay, and it stopped as if someone had turned a switch off.
He looked about, saw that the insects had frozen with their front legs/arms in mid-motion Some of them had been facing each other, but now they all scuttled around to face him again. The central insect, the metal box still in its hand, took a step forward and raised the box. It let out a string of noises, waited, then adjusted controls on the box before repeating the same string of noises. This time, the box made a noise like someone fighting the impulse to puke, and Paul nearly laughed as the insect shook it for all the world like a human with a malfunctioning piece of electronics. Another series of adjustments, and when the string of noises was repeated a third time, the box produced a string of Japanese words.
Paul could understand the words, but the syntax was wrong. He opened his mouth, tried to speak, and found himself so dry he had to swallow before he could speak. “Konnichiwa.” he managed to get out, hoping a polite hello would convey something to these creatures.
The box produced a long string of clicks, moans and noises Paul couldn’t even begin to describe. It was far too long to convey the simple message he’d hoped pass along. The insect held the box up to one pair of eyes, brought a hand around to do something, and then brought it down to its mouth. It repeated the earlier sounds, much more slowly this time, and after a stutter of noise, the box bleated out. “Greeting! We revive you to our questions answer. Answer.”
Where the hell did they get a voice sample to reproduce the voice of Kirito from “Sword Art Online”? Hearing that voice had stunned Paul for a moment, and the sudden switch in languages forced him to mentally shift gears before replying. The delay must not have set well with the insects. Even as he opened his mouth to reply, the central insect let out a new string of noises that set the box squawking. “Answer! Require answer we do!’
Paul did his best not to laugh at the Yoda-like quality of the demand. Something in the tone of the voice told him the insect was angry, or at least impatient. “I’ll answer you, but I have a question first. How did I get here?”
“You, Subject 4532. Others we try revive, not work. You first. Your society preserve people. Revive not easy.”
Preserve people? What the hell…wait, have they been trying to revive dead people? “How did you get hold of me?”
The box spit out a string of noises that started an exchange between the central insect and the ones on either side of it. Whether it had been shut off, or just couldn’t keep up to translate, the box remained silent until they’d stopped. Central insect let out a final string of noises, waved a front leg/arm towards the wall behind it, and the third insect on the right drew a small object out of its pouch. A few movements of its hand, and the wall became a display. On it, Paul saw a broad expanse, like a field of ash. Out of it rose blocks of stone, blocks he recognized with a start as tombstones. Several holes had been crudely dug through the ash, leaving the underground vault exposed. The scene began to move as a video clip followed a group of insects in what looked like space suits crawled down into the hole to lift the lid of the vault off. Out came a casket, the plain one Paul had chosen long ago to serve as his spot of final repose. He wanted to turn away but couldn’t. He watched the insects move aside as something gleaming of metal scurried into view and placed itself over the box. Limbs far more flexible, and far stronger, whipped down to begin prying at the coffin lid. They failed, and a new limb came out of the side of the machine. This one traced the outline of the lid, leaving a smoking trail behind. It completed its circuit, retracted into the machine, and the other arms moved in. This time, the lid came away, and the machine moved off on four legs, with four more clutching the lid.
Inside the coffin was a form dressed in a dark suit, the suit Paul now wore. The face was his, but drawn tight as if the skin has shriveled down to embrace the bone beneath it. Seeing himself dead, looking at his lifeless corpse, stopped Paul’s mind in its tracks. The video kept going, the camera moving from that bony face down to his chest. He saw the thumb drive he’d made, the one he’d hoped to watch during his hospital stay, and wondered which of his friends had sent it into the afterlife with him.
Then that image was gone, replaced by a montage of clip from “Sekirei”, “Tokyo Ghoul”, “Corpse Princess” and several more. Another string of noises, and the box sputtered out “These, where? Not end with you. Powerful! Where?”
“What do you mean? I don’t understand the question.”
The box chirped, squawked, clicked and hissed. The insect holding it held it out, shook it violently, then let out a string of nosies. This time, the box tried to interpret them. It couldn’t translate much of what the insect said, but two words came out loud and clear. “Fucking box!” Hearing it’s words coming out in another language set the insect to working on the box. Both remained silent while the insect worked on whatever it thought was wrong with the interpreter. Then the insect spoke again, it’s string of noises coming out in another string of mangled English. “These, in images, where? Your people, yes. Where? Powers, this type, not end. Where?”
Did they honestly think anime was a realistic representation of humanity? That there were women like Musubi bouncing around? That Ken Kaneki wandered the streets of Tokyo, fighting his desire to kill and eat humans? “Those aren’t real. There are no people like that. Why didn’t you just ask someone, they could have told you it was all make-believe. Entertainment, understand? Entertainment.”
The box clicked and moaned away, and when it finished, a storm of noise arose from the insects. All of them were talking, probably shouting given the way the volume rose over time. An occasional word popped out of the box, not enough to make any sense of, but the box could put intonation on words, and some of them were clearly being said in anger.
Center Insect (Paul had started to think of it that way, to try to tell them apart) raised the box over its head and let out a loud hiss, like water being poured over red-hot metal. The others subsided, not all at once, but eventually they became silent. One of the last things said, from Left-End Insect, came through the box. “Show him.” Center insect let out one last hiss at this statement, then gestured towards Third-Right Insect. It did something tht cleared the display of the anime loop. In it’s place, Paul saw the scene from earlier, of the graveyard, but undisturbed. Then the camera seemed to draw back, revealing more and more ash-covered landscape. The view moved left, following a trail of gray-clad land to an ugly hole in the landscape. Out of it still spewed ash and gases. The view shifted again, moving over cities buried in ash, then, the ash was gone, but the cities were too. Now, though, they were jumbles of wreckage surrounding craters that flashed glassy in what sunlight reached the surface. Then, other images. More cities in ruin. Swaths of countryside where trees stood naked and nothing green grew. And everywhere, not a single image of a human. And what had happened was as clear as if Paul had been there to see it all. Yellowstone had erupted, decimating North America. Either in desperation, or because others saw a chance for advantage in attacking a weakened America, a nuclear war had broken out. Humanity had finished what Nature had started, the destruction of the human race.
Paul buried his face in his hands. It was all gone. His friends, his family, everything and everyone he’d ever known were nothing but memories in his head. “Why did you wake me to this? What did I do to deserve this fate?” He raised his head and shouted the last towards the heavens. But there was no answer. There was just Paul, alone on a dead planet with insects who couldn’t understand him or his culture.